WORLDS
Nature, cultural memory and code treated as one continuous system — and the question of what each remembers of the other. Five worlds gather a practice moving between digital sculpture, moving image, stage and living installation.
Nature, cultural memory and code treated as one continuous system — and the question of what each remembers of the other. Five worlds gather a practice moving between digital sculpture, moving image, stage and living installation.
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Ecem Dilan Köse (b. 1990, Ankara) is an Istanbul-based contemporary artist whose practice examines how technology transforms human perception, identity and the production of meaning.
Drawing on her background in interior architecture and generative systems, Köse works across moving image, immersive installation, digital sculpture, sound and material experimentation. Her works often bring organic structures into contact with computational processes, creating environments in which the boundaries between the natural and the artificial, the biological and the technological, become increasingly unstable.
Rather than approaching technology solely as a tool, Köse considers it a force that reshapes memory, consciousness and our relationship with the world. Her practice moves between the intimate scale of the body and wider planetary and temporal systems, exploring how human-made materials, data and technological infrastructures become embedded within biological and geological processes.
Through speculative yet materially grounded works, she investigates emerging forms of existence and asks what it might mean to remain human within futures that are already beginning to take shape.
Works currently available, each shown as the single image and in its installed state. Editions and commercial details sit behind the collector password.